Woman Sewing, 2014
performative installation
Woman Sewing is a nod to the many paintings of the same name. My practice is heavily process based and I feel as though it’s imperative that the audience encounter this.
The haptic gaze is an important aspect of my sensory interest. A surface does not need to be physically touched in order for the body to perceive touch. ‘Woman Sewing’ explores this idea; using large architectural spaces to juxtapose the intimacy of a tactile action.
